📚 Foundations of the Rondanini Arcade
Bibliography
Mathematics & Computability
Kurt Gödel — On Formally Undecidable Propositions of Principia Mathematica and Related Systems (1931)
Alan Turing — On Computable Numbers, with an Application to the Entscheidungsproblem (1936)
Martin Davis, Hilary Putnam, Julia Robinson — The Decision Problem for Exponential Diophantine Equations (1961)
Yuri Matiyasevich — Enumerable Sets Are Diophantine (1970)
Gregory Chaitin — Algorithmic Information Theory (1987)
Henry Rice — Classes of Recursively Enumerable Sets and Their Decision Problems (1953)
Robert Berger — The Undecidability of the Domino Problem (1966)
Cristopher Moore — Unpredictability and Undecidability in Dynamical Systems (1990)
Identity & Self
Heraclitus — Fragments (c. 500 BCE)
John Locke — An Essay Concerning Human Understanding (1689)
David Hume — A Treatise of Human Nature (1739)
Jean-Paul Sartre — Being and Nothingness (1943)
Simone de Beauvoir — The Ethics of Ambiguity (1947)
Emmanuel Levinas — Totality and Infinity (1961)
Society & Systems
G.W.F. Hegel — Phenomenology of Spirit (1807)
Karl Marx — Capital (1867)
Hannah Arendt — Eichmann in Jerusalem: A Report on the Banality of Evil (1963)
Michel Foucault — Discipline and Punish (1975)
Ivan Illich — Tools for Conviviality (1973)
Bruno Latour — Reassembling the Social (2005)
Perception & Reality
Plato — Republic (Allegory of the Cave) (c. 380 BCE)
Immanuel Kant — Critique of Pure Reason (1781)
Friedrich Nietzsche — Beyond Good and Evil (1886)
Maurice Merleau-Ponty — Phenomenology of Perception (1945)
Jean Baudrillard — Simulacra and Simulation (1981)
Ludwig Wittgenstein — Philosophical Investigations (1953)
Time & Impermanence
Augustine of Hippo — Confessions (Book XI) (c. 400)
Henri Bergson — Time and Free Will (1889)
Martin Heidegger — Being and Time (1927)
Buddhist Canon — Anicca (Impermanence) — Pali Canon (c. 3rd century BCE)
Jacques Derrida — Of Grammatology (1967)
The Rondanini Arcade does not claim invention of these traditions.
It curates and reframes them as a unified gallery of limits.